So with an I-tumbled-out-of-bed-ten-minutes-ago Alex running down the road, car kitted out for an apocalypse by mumma Bailey (you can't be too careful when The Shining was filmed predominantly in Timberline Lodge), Erika and skis tucked in, road trip tunes on tap, we were off. I couldn't have asked for a more beautiful day.
There's a reason I only take stills.
These were also in fact NOT the mountains we went up.
(Mount Hood is hiding behind those trees on the left)
(Mount Hood is hiding behind those trees on the left)
But these are some hip transfer kids I know (to quote Erika)
ooh blue skies
my fantastic filming skillz mean that just as the summit comes into view, I stop.
When Mum asked me over Christmas if I missed anything about America, my immediate response was 'The mountains' - in London there was a definite absence of that higher horizon line which peppers the landscape as I trundle down to 7/11 or back from a coffee house on Woodstock. I don't understand why they move me so much, mountains. I remember being consumed on both sides of the Yangtze Gorge that summer in China, where ranges equally ate my words. And that flight down to San Francisco through the reigning glory of peak after peak after peak. But Mt. Hood is different. Being on her. Alpine beauty tossed with a white so white, it's a delicate violet. The warp and weft of cascading oceans of fir slowly inhaling and exhaling down the gentle slopes of her back. Its Christmas everyday. And Narnia on weekends.
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